EIGHTH ARGUMENT: CAPACITY
believe your dream
"I have always believed," writes Miller in "The Colossus of Marusi'-that the narrator's art is to stimulate the listener's attention from so that it sinks into their own dreams long before the end. The best stories I've heard he had neither head nor tail, the best books I know are that I can not remember his argument, the best individuals are those who are not one to nowhere. "
Katsimbalis The writer George, who remembers Miller as a teacher of those premises, he despised in his long, fascinating monologues, the temporal order. With his talk was everywhere at once, in all places on earth. Words hurled into the air as the listener thought they were going to break the ground, picked them up skilfully Katsimbalis without bothering to do or at least dodge.
And the story fascinating. Miller was a magic that no analyzed to determine their tricks. It was a speech full of resonances, storms in Attica, of clairvoyance were discovered hours after being heard and sensed.
"The man who spoke," continues the writer-American had ceased to be human size and proportions, becoming a colossus whose outline was lost, going back and forth from past to future, with the pace buzzing and depth of their sentences loaded with drugs. "
This is the navel of the world. Here murmur resides archaic grouping us in the race of humans. We are children of the words, siblings in the speech, subjects of the dreams expressed. From the Attic land, what beautiful set of destination, where you bring your own Astralpool time and glory, comes a story about the mastery of language and the power of the word. "Colossus of Maroussi has to be now this Sabadell, immersed in his own dream, carried in its own art of believing this story.
And I know well that these players have this power and conviction.
0 comments:
Post a Comment